Robert Fischer

Fassbinder in Hollywood (2002)

Daniel the Wizard (2004)

aka: Daniel der Zauberer

Erinnerungen an 'Väter und Söhne': Bernhard Sinkel im Gespräch mit Robert Fischer (2010)

Starting Out: The Making of Jerzy Skolimowski's Deep End (2011)

Swan Song: The Story of Billy Wilder's Fedora (2014)

Les Mystères de Paris: 'Out 1' de Jacques Rivette revisité (2015)

Return to Beethoven Street: Sam Fuller in Germany (2015)

Le Poête et le Cinéaste: Volker Schlöndorff à propos de 'Baal' (2015)

The Beast Inside: Creating 'Wolf' (2017)

Der Film verlässt das Kino: Vom Kübelkind-Experiment und anderen Utopien (2018)

Life as It Is: Milos Forman on Milos Forman (2018)

Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand (2020)

Le Cinéma en jeu: L'Amour fou de Jacques Rivette revisité (2024)

Monsieur Truffaut Meets Mr. Hitchcock

Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood

aka: Ernst Lubitsch in Berlin - Von der Schönhauser Allee nach Hollywood

Moral Tales, Filmic Issues: A Conversation between Barbet Schroeder and Eric Rohmer

Requiem for a Killer: The Making of 'Blast of Silence'

The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited

A Winter's War: Keith Gordon on 'A Midnight Clear'

Hans Fromm on 'Phoenix'

Kurosawa and the Censors

Last of the Independents: Don Siegel and the Making of 'Charley Varrick'

Perspectives on Othello: Joseph McBride on Orson Welles

G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak

G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak

Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'

Dalton Trumbo: Rebel in Hollywood

Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'

Men of Mystery

Reviving Harry Lime

Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered

Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"

Working with Max Ophuls: Daniel Gélin on "La Ronde"

Infinite Pleasure: Todd Haynes on Max Ophuls' Le Plaisir

Le Plaisir: From Script to Screen

Working with Max Ophuls: Daniel Gélin on "Le Plaisir"

Working with Max Ophuls: Tony Aboyantz, Assistant Director

Working with Max Ophuls: Robert Christidès, Set Decorator

Working with Max Ophuls: Alain Jessua on the Making of Madame de...

Working with Max Ophuls: Annette Wademant, Co-Writer

Working with Max Ophuls: Marc Frédérix, Assistant Decorator

A Tribute to Douglas Sirk by Allison Anders

Beyond Melodrama: Kathryn Bigelow on Douglas Sirk

Contract Kid: William Reynolds on Douglas Sirk

Working with François Truffaut: Nestor Almendros, Director of Photography

Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’

A Cinema of Signs: Claude Chabrol on Alfred Hitchcock

aka: Kino der Zeichen: Claude Chabrol über Alfred Hitchcock

'Deep End': Remembering the Deleted Scenes

Love Letters

Rumble on the Lot: Walter Hill's Streets of Fire Revisited

Spinning Tales: Fiona Lewis on Brian De Palma's 'The Fury'

The Fury: A Location Journal

Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz

Ted Kotcheff's Gourmet Cinema

About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'

Pure Cinema: Joe Napolitano on Brian De Palma's Body Double

Touching Death: Alejandro Amenábar on 'Tesis'

The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter

Acting for Douglas Sirk

Return to Philadelphia: George Litto on 'Blow Out'

Black and White in Color: Vilmos Zsigmond on 'Blow Out'

Rag Doll Memories: Nancy Allen on 'Blow Out'

Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'

Sucker Punch Blues: A Look Back on John Huston's 'Fat City'

Budd Boetticher on the Ranown Cycle

Before Taking Off: Milos Forman’s Road to America

Will He Live or Will He Die: Walter Hill on Southern Comfort

Weimar on the Pacific

Dietrich Icon

Homay King on 'Shanghai Express'

Painting with Light: Nicholas von Sternberg on Josef von Sternberg

Of Love and Constraints

Outer Movement, Inner Movement

The Making of Highlander

Traveling Roadshow

Jack Arnold Remembers The Incredible Shrinking Man

Program Notes: An Introduction To The Last Detail By Alexander Payne

Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram

Making an American Movie

Expedition Amazonia