Tsvetushchiy kholm sredi pustogo polya

The main and only heroine of the film is an actress. The screen shows her confession, filmed with a subjective camera. Anna leaves her husband, then meets another person, who, according to the plot, is her interlocutor. He — and with him the audience — will have to hear the love story of Anna and her relationship with her husband; get in touch with the subtle and complex inner world of a woman trying to find spiritual harmony. We will not see Anna's interlocutor on the screen, the camera acts in his role...